Course Plan: Time and Memory Inspired Sculpture for Year 9 Art
Course Title:
Time and Memory in Sculpture
Course Goal:
To explore and create sculptures that reflect the themes of time and memory, utilizing various materials and techniques while developing critical artistic skills and knowledge.
Course Aims:
- To understand the formal elements of sculpture and how they can be manipulated to express concepts of time and memory.
- To gain knowledge of influential sculptors and their works that explore similar themes.
- To develop the ability to conceive, plan, and create original sculptures using various processes and materials.
- To enhance collaborative skills through group projects and critiques.
- To refine critical thinking skills by engaging in discussions and written reflections on art.
Course Structure
Module 1: Introduction to Sculpture (Lessons 1-5)
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Lesson 1: Introduction to Sculpture
- Overview of sculpture definitions and techniques.
- Discussion and demonstration of 3D elements.
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Lesson 2: Identifying Formal Elements
- Analyze line, shape, form, space, texture, and colour in sculpture.
- Task: Complete a formal elements match task sheet.
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Lesson 3: Influential Sculptors
- Artist Research: Henry Moore, Louise Bourgeois, Naum Gabo.
- Task: Write a brief research piece on an assigned sculptor.
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Lesson 4: Review and Discussion
- Group presentations of sculptors.
- Open-class discussion about influences of time and memory in their works.
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Lesson 5: Drawing Techniques
- Introduce cross-hatching and shading in sculpture representation.
- Task: Complete an A5 ‘Cross Hatch’ drawing.
Module 2: Exploring Concepts (Lessons 6-15)
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Lesson 6: Concept Development
- Brainstorming concepts for sculpture that reflect time and memory.
- Task: Create a mind map for ideas.
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Lesson 7: Investigating Planar Forms
- Explore planar constructs: shapes and forms.
- Group Task: Create a 5-photo documentation of constructed shapes.
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Lesson 8: Exploring Linear Constructs
- Focus on line and form in 3D.
- Group Task: Produce a 5-photo documentation of linear forms.
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Lesson 9: Conceptual Mind Map Presentation
- Present mind maps to the class.
- Group critique on concept clarity and originality.
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Lesson 10: Mini Amoeba Project Introduction
- Discuss how objects represent time and place.
- Task: Bring four or five personal items to class that embody these themes.
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Lesson 11: Material Exploration
- Experiment with wrapping and modeling materials: cling film, clay.
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Lesson 12: Composition Workshop
- Create a sculptural composition using brought items.
- Focus on shape emphasis and texture.
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Lesson 13: Texture and Technique
- Explore techniques for developing texture in clay.
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Lesson 14: Sculpture Development
- Begin creating final sculptures based on previous lessons and concepts.
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Lesson 15: Peer Review
- Present ongoing work in small groups for feedback.
Module 3: Finalization and Presentation (Lessons 16-30)
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Lesson 16: Continuing Sculpture Development
- Work on incorporating feedback to refine sculptures.
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Lesson 17: Explore Established Practices
- Research established sculptures that represent time and memory.
- Home Learning Task: Create a 1-slide montage of influencing sculptures.
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Lesson 18: Critique Sessions
- Conduct group critiques of peer works to encourage reflective practice.
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Lesson 19: Preparing for Final Piece
- Final touches on sculptures; focus on presentation aspects.
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Lesson 20: Exhibition Design
- Discuss exhibition layouts and presentation styles for final sculptures.
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Lesson 21: Setup for Exhibit
- Arrange sculptures in the classroom gallery.
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Lesson 22: Final Presentations
- Students present their sculptures to the class, discussing their process and inspirations.
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Lesson 23: Reflection Session
- Reflect on learning outcomes and personal growth throughout the project.
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Lesson 24: Portfolio Development
- Compile artworks, drafts, and reflections into a final portfolio.
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Lesson 25: Assessment Criteria Workshop
- Go through assessment expectations and criteria with the class.
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Lesson 26: Final Evaluation
- Self and peer assessment on the sculptural works and engagement.
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Lesson 27: Artist Statement Creation
- Write an artist statement reflecting on personal artistic journeys.
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Lesson 28: Guest Speaker Session
- Invite a local artist to discuss their practice in relation to time and memory.
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Lesson 29: Community Engagement
- Discuss possible community projects related to themes explored.
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Lesson 30: Course Reflection and Feedback
- Collect feedback from students regarding the course and projects.
References
- Moore, H. (1966). Henry Moore: Sculptor.
- Bourgeois, L., & Sussman, M. (2012). Louise Bourgeois: An expanded view.
- Gabo, N. (1968). Naum Gabo: A sculpture.
- Brand, P. (2014). Sculpture: From Antiquity to the Present Day.
- McGowan, C. (2020). The Art of Memory: A Study of Sculpture and Time.
- Huot, J. (2021). Time and Space in Contemporary Sculpture.
- Smith, R. (2019). The Art of Memory in Sculpture Practice.
This course plan serves as a structured guide to exploring the integration of time and memory in the medium of sculpture, fostering creativity and critical understanding among Year 9 students.