Academic Subject: English as a Second Language
Topic: British Cinema
Duration: 30 minutes
Level: Year/Grade 11 (Age 16-18)
Objectives
- To introduce students to the history of British cinema.
- To familiarize students with the key figures, films, and movements in British cinema.
- To encourage students to engage critically with British cinema and its themes.
Materials
- A projector and a screen
- Handout with a list of British films
- Handout with discussion questions
Procedure
Introduction (5 minutes)
- Begin by asking students what they know about British cinema.
- Provide a brief overview of the history of British cinema, emphasizing its importance as a cultural export.
British Cinema in the 20th Century (10 minutes)
- Discuss some of the key figures and movements in British cinema during the 20th century, such as the Ealing comedies, the kitchen sink dramas, and the Angry Young Men.
- Show clips from some of the major films of this period, such as The Third Man, Brief Encounter, and Saturday Night and Sunday Morning.
Contemporary British Cinema (10 minutes)
- Discuss some of the biggest trends in contemporary British cinema, such as social realism, black comedy, and genre hybridity.
- Show clips from some of the most acclaimed films of the past decade, such as Fish Tank, Submarine, and In Bruges.
Discussion (5 minutes)
- Hand out the discussion questions and have students break up into small groups to discuss their thoughts on British cinema.
- Reconvene as a class to share insights and ideas.
Conclusion (5 minutes)
- Summarize the importance of British cinema as both a cultural export and an art form.
- Encourage students to seek out and engage with more British films on their own time.
Discussion Questions
- What themes and subjects do you think are most commonly explored in British cinema, based on the films we watched?
- Who are some of the most influential British filmmakers of the past century, and why?
- How does British cinema compare to Hollywood cinema in terms of style and substance?
- Do you think British cinema has a unique voice and perspective in the global film landscape? Why or why not?